Peter Young is an exceptionally personable young man who sold advertising for Channel 3 Newcastle but also played drums. It was in his drumming persona that he managed to embarrass himself and give me a gift of pride and a paroxysm of laughter that multiplied his discomfort.
(This is a view of Shoal Bay near the gig we shared at Nelson Bay RSL Club, and the lower picture is of wildlife one encounters regularly wandering the beaches.)
However, our audience that day was the usual mix of retirees, old couples huddled together over their one beer of the day, a few elderly singles filling in a boring afternoon and unusually, one young couple. The man was darkly handsome with brown-grey skin that glowingly covered his muscular body. But for all his beauty, he was eclipsed by his companion.
Some girls are blessed with lucky genes and she had them all. Tall, with all her bits in the right places and of excruciatingly attractive proportions, she was dressed to leave nothing to the imagination except her phone number. I missed their entry, being engrossed in the dots and lines of a difficult bass part but Peter's eyes followed them all the way as he mumbled ‘Wow! Holy Zildjian!' and such.
Drummers have a reputation as connoisseurs of physical beauty. Actually, they are no less inhibited than the rest of us, but they do have opportunity. Drum charts contain such directions as ‘play sim 20 bars’. This gives them twenty bars to appreciate whatever else is there to be seen. So, despite his natural decency and shyness, Peter could not contain himself and had to share.
We had reached the end of the set when he jabbed me in the ribs with a drum stick and in an excited stage whisper directed my attention to the subject of his unabashed appreciation.
I looked to where he was pointing to see a spectacularly beautiful woman stand and walk away from her companion. Very short shorts and halter top were in artistic contrast to her lightly tanned and flawless skin, glowing blonde hair and dazzling smile competing with glistening hazel eyes as she swung towards us.
‘Get a look at that!’ he growled again when she approached to stand so close he could have touched her.
But it was me she was looking at and I felt Peter’s disappointment as she blessed me with her husky greeting. I stepped from the stage to take her proffered hands and gently kissed her smiling face.
‘Hello gorgeous!’ I laughed, with a glance at Peter. ‘What a surprise!’
‘Hi dad,’ she answered, correctly assessing the situation and throwing Peter a consolation flash as he turned to slink away, face red and head bowed.
‘Thought we’d surprise you.’
I called him back.
‘Come here Dopey,’ I laughed. ‘Come and meet my daughter Jessica!’
He did and she kissed his cheek too.
How lovely - you have surpassed yourself with the build-up this time!
ReplyDeleteMB, I would have included a picture of Jess, but she is a copper and likes to stay 'low key'!
ReplyDeleteAbsolutely priceless! On all levels. :)
ReplyDelete' Lucky You Stafford '
ReplyDeleteYet Another ' Beautiful Daughter '
You Are Truly Blessed...
you are too funny
ReplyDeleteToo cute!! (story and daughter) :)
ReplyDeleteHa, ha! Hilariously priceless! Thanks for my morning giggle!
ReplyDeleteAfter reading this I will not be able to stop humming 'tall and tan and young and lovely, the girl from Ipanema goes walking, and when she passes, each one she passes goes -AH!
ReplyDeleteIf I bring my flute, may I jam with you and the drummer?
RA, butterfly, suz, willow and oodozo, thank you so much for your kind comments and to Helen, bring the flute.
ReplyDeleteOn that gig we also had the amazing Jason Ivory, world renowned Computer whiz and jazz pianist. His dad Spike was the compere.
Spike holds the (local) record of one hour and forty five minutes of RSI producing non stop, fortissimo, presto vivace R and R! I have scars!
I love it! Great story.
ReplyDeleteGreat short story with a twist of lemon - very well written and terrific Aussie flavour. I love the way he pokes you with his drum stick. The 'play sim 20 bars' - what does that mean - does it mean you wait 20 bars before playing?
ReplyDeleteHi GB, 'play sim 20 bars' is a common direction on a drum chart. Instead of writing out 20 bars of: tum ta-ta tum ta-ta, tum ta-ta tum ta-ta, etc, there is a sample bar and then the above direction meaning 'play sim (similarly) for 20 bars'. After that the drummer returns to the chart where he/she can expect a change to the beat.
ReplyDeleteHope that improves your drumming!
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